About

The first Baliphonics ensemble formed in Sri Lanka in 2009 as an extrapolation upon Sumudi Suraweera’s Ethnomusicological research with bali ritual masters S.N. Dharniel, Susantha and Prasanna Rupathilaka.

Including Sumudi Suraweera and the Rupathilaka family, initially the ensemble formed as a collaborative Septet, involving the musicianship of three New Zealanders, Reuben Derrick on saxophones, Misha Marks on guitar and Isaac Smith on double bass.

Since the ensemble’s inception in 2009, the personnel has undergone several reformations, most notably in 2014, a quintet formed which saw, along with Prasanna and Susantha Rupathilaka, Sumudi Suraweera and Isaac Smith, the inclusion of Eshantha Peiris on Piano.

Currently the Baliphonics performs in a quartet format comprising of Susantha Rupathilaka – dance and vocals, Prasanna Rupathilka -dance, yak bera and vocals, Sumudi Suraweera – drum kit, and Isaac Smith – double bass.

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Prasanna Rupathilaka (born in 1972), is a rare exponent of Sri Lankan traditional drumming, as he is equally experienced and established in both the contemporary music scene as well as the Sri Lankan upcountry and low country ritual forms.
His ritual experience began from the age of fifteen, when he started accompanying his father. His experience as a contemporary musician began in 1989 when he worked as an artist for the International Peace Council of Sri Lanka. Prasanna has a collaborative nature and this is evident from his career; he has designed and built a drum which has Sri Lankan and Japanese influences, performed at the WOMAD Festivals in Singapore and Sri Lanka, and conducted a drum orchestra of 350 drummers, which was commissioned by the International Cricket Council. Currently Prasanna is a member of the Sri Lankan State Dance Ensemble and is a respected teacher in both Kandyan and Low Country Drumming forms.

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Susantha Rupathilaka (born in 1970) is also a well established traditional artist in Sri Lanka. Susantha, too, was exposed to ritual performances at a young age, where most of his learning occurred through his father and grandfather. Like Prasanna, Susantha has also been a member of the State Dance Ensemble. Susantha is currently the only permanent musician in the area of traditional music at the Sri Lanka Broadcasting Cooperation. His collaborative nature is also apparent throughout his career, having performed with a number of leading dance ensembles and artists in Sri Lanka, most notably the Chithrasena Dance Ensemble, Budhawatta Dance Ensemble, Ravibandu Vidyapathi and Panibaratha.

Isaac

Isaac Smith is a New Zealand born, double bassist, sound artist and improviser. A graduate from the New Zealand School of Music with a performance major in Jazz studies, Isaac has extensive experience creating, performing and collaborating across many different aesthetic disciplines including dance, theatre and design. in 2011 Isaac relocated to Sri Lanka to continue with collaborative work with Baliphonics. Isaac currently resides in Colombo as the foreign tutor in residence and artistic co-ordinator at Musicmatters, a unique non-exam based music education center with a focus on nurturing creativity through music education.

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Sumudi Suraweera attained his doctorate in Ethnomusicology in 2010 from the University of Canterbury in New Zealand. His research focused on Sri Lankan Low-Country traditional drumming. Prior to this, in 2005, he completed a Bachelor of Music in jazz, majoring in drums, with first-class honours. In his own ensembles Sumudi leans his focus on experimentation with Sri Lankan traditional musical material. Aside from the Baliphonics, he has initiated a number of other collaborative groups including the Serendib Sorcerers and the Musicmatters Transcoastal Collective.